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Please email
us for availability.
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Make their booty move! The BB-2 Bottom Blaster features
Guyatone’s proprietary “Sound Control
System” (patent pending) circuitry that adds
butt-shaking lows and sizzling highs to any bass
sound! If your current gear just isn’t moving
enough air, the BB-2 is like adding a palm-sized
hurricane to your rig! Don’t settle for “tiny
tush” when you can have BIG BOTTOM –
get the BB-2! |
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The BE-2 let’s you compensate for different
rooms and applications with ± 12dB of equalization
over five separate frequency bands and ±
12 dB of output level. To obtain maximum control
with a limited number of bands the filter circuit
is specially tuned by lowering the “Q”
and enlarging the bandwidth of each frequency band.
Avoid being caught with anything less than great
tone - Level your playing field with the BE-2! |
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Tired of putting holes in your speakers as well
as the backbeat of your band? The BL-2 Bottom Limiter
will reign in that aggressive Slap and Pop technique
and leave a smooth, solid foundation to build your
musical masterpieces upon. No matter what the job,
The BL-2 is a Limiter with no limits! |
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Why should guitarists have all the fun?!? The BR-2
Bottom Wah Rocker features the same uniquely voiced
envelope filter circuit as our legendary WR-2, but
custom tuned for the low-end frequencies of the
Bass Guitar. Now you can get the same squawky, throaty
wah sounds as the WR-2 without losing the almighty
bottom that holds up your band and puts people on
the dance floor! The BR-2 Bottom Wah Rocker for
Bass - Get yours and groove |
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With a circuit based around the Panasonic MN3207
analog IC chip (now out of production), the FL-3
offers all the warmth and range of the original
tape-flanging effects without the need for multi-track
recorders. In addition the FL-3 offers an interesting
twist: An asymmetrical sweep pattern that adds a
more “human” feel to the flanging effect.
The FL-3’s sweep speed is slower going up
to the peak frequency and faster coming off, giving
it a slightly uneven, “whiplash” type
effect unlike any other Flanger pedal. If you’ve
been searching for unique new sounds, the FL-3 offers
a new twist on an old favorite. |
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The Guyatone HD-2 Harmonic Distortion offers a faithful
replication of that classic tone, with some added
benefits to boot. The HD-2 is a transistor distortion
based on the most popular vintage designs. Its dual
clipping stages provide a considerable amount of
distortion yet with a note-to-note definition and
dynamic responsiveness not found in other current
market pedals. Level and Distortion controls offer
variable volume and clipping and as on our OD-2
we’ve foregone a tone control in order to
reproduce the instrument’s tonal characteristics
more accurately.
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The MC-3 provides a rich, thick chorusing that picks
up where other pedals leave off. The MC-3’s
circuit is based around the Panasonic MN3207 analog
IC (now out of production) that is found in many
more expensive units. Rather than thinning your
sound, the MC-3 offers an increased low-end frequency
response, making it suitable for use with any instrument
including Bass, Guitar and Keyboards. In addition,
the MC-3 offers a slight level boost when engaged
that lets you jump out in the mix and be heard.
If you’re looking for more from a chorus,
the MC-3 offers twice the tone of the competition!
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The MD-3 Micro Digital Delay gives the user the
crispness and clarity of a tape echo combined with
the longer delay time of a digitalunit. 30-2600
milliseconds of delay time are available, more than
enough to create an entire range of classic delay
effects from Rockabilly slapback to Arena-rock washes
of excess and everything in between. At higher Feedback
settings the MD-3 will self-oscillate like an analog
delay, creating cacophonous cascades of repeats,
UFO-landings, ray guns, and other bizarre sound
effects. At lower Feedback settings it can be used
for sound-on-sound layering of parts creating beautiful,
ethereal soundscapes that slowly fade into infinity.
Quite possibly the smallest delay, unarguably the
best: Try the MD-3 and discover what perfection
is all about! |
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The ME-2 let’s you compensate for different
rooms and applications with ± 12dB of equalization
over five separate frequencies and ± 12 dB
of output boost. To obtain maximum tone control
with a limited number of bands, the filter circuit
is specially tuned by lowering the “Q”
and enlarging the bandwidth of each frequency band.
Avoid being caught with anything less than great
tone - Level your playing field with the ME-2!
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One of the most dangerous enemies to a great Guitar
sound is unwanted line noise. Now with the Guyatone
NR-2 you don’t have to spend time and money
worrying about it! This palm-sized workhorse is
incredibly simple to use and is amazingly compact,
and very affordable – what else could you
want? |
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The Guyatone OD-2 Overdrive was designed to eliminate
the inherent problems of other overdrives. The OD-2''s
circuit is based on the vintage "Tubescreamer"
design with a few changes that offer marked improvements
that give the OD-2 the same warm, tube-like voice
as a vintage ''screamer but with increased low end.
The result: Smooth, transparent, non-compressed
overdrive that responds to picking dynamics and
"cleans up" when the guitar volume is
lowered. If you need tube tone without tube-amp
hassles, the OD-2 is the next best thing! |
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The PS-3 Phase Shifter creates all the drippy, funky,
swirling sweeps of vintage Phasers at a fraction
of the cost! The PS-3’s transparent, four-stage
phasing circuit offers a unique asymmetrical sweep
pattern that is slow rising up to the peak frequency
and faster coming off. Rate and Depth controls allow
for precise adjustment of the phasing effect from
slow and subtle to fast and furious! If you’re
looking for a new twist on an old favorite, the
PS-3 is the one! |
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The SD-2 combines compression and distortion into
one pint-sized pedal that adds Arena-sized tone
and endless sustain to any rig! At maximum Gain
settings the SD-2 latches onto notes, creating a
singing, violin-like sustain that will literally
last until you take your fingers off the frets!
If your rig needs that extra “something”
there’s only one answer: The SD-2! |
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The ST-2’s variable Level and Sustain controls
allow you to dramatically “squash” the
input signal, yielding smooth, clean bell-like notes
that last for days. In addition, the ST-2 features
a direct on/off switch. When engaged, the direct
switch blends in a dry input signal at equal volume
with the compressed signal, eliminating the attack-altering
characteristics common to other compressors. When
big compressors don’t offer enough, try the
ST-2 on for size! |
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The SV-2 is a voltage-controlled volume pedal based
on the vintage Boss Slow Gear. Many effects can
be achieved just by manipulating the unit''s simple
controls, from straight volume swells to bowing
effects to tape-reverse simulation. Combined with
other effects, the SV-2 becomes a truly unique creative
device. Try it in front of an HD-2 and MD-3 for
haunting, "whale song" effects. Or, put
it in front of a WR-2 for swelled-wah effects. There
are no rules, so don''t be afraid to experiment!
With practice, the SV-2 Slow Volume can become an
invaluable creative tool you won''t want to do without!
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A retro-style fuzz effect based on the vintage Univox
Superfuzz, the concept behind the TZ-2 was to create
distortion using methods other than waveform clipping.
Unlike standard distortion and fuzz pedals, the
TZ-2 produces a sawtooth waveform that yields a
much ruder and cruder tone with a whopping low-end
that makes it perfect for use with Bass as well
as Guitar. |
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The VT-3 lives up to its name, offering all the
tight, pulsing tones that defined the classic tremolo
sounds of years gone by. Developed after careful
analysis of vintage amplifier tremolo circuits,
the VT-3 offers a sine-wave tremolo that absolutely
nails the sound of a vintage amp. Speed and Intensity
controls allow the user to alter the effect from
a painfully slow, barely audible dip to light-speed,
shimmering stabs. The VT3’s healthy level
boost insures that your performance won’t
go unnoticed, a problem common with other units.
The VT-3 Vintage Tremolo – vintage tones without
the vintage hassles! |
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Based on the original Wah Rocker circuit used by
countless pros, the WR3 features several updates
that greatly improve its functionality and performance.
The WR3’s filter sensitivity has been increased,
allowing for better note tracking and dynamic response.
This upgrade also offers improved performance for
instruments with passive and/or lower output pickups.
In addition, the WR3 has been equipped with a switchable
Dry Blend function that mixes in clean signal against
the effect in order to smooth out volume peaks and
dips caused by the filter sweep. This new feature
improves low-end response, allowing the WR3 to be
used equally well with Bass or Guitar. A new twist
on an old favorite, the WR3 offers even more funk
than before! |
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