Maxon Electric Guitar Effect Pedals

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	Model/Description
Vintage Series
	AD-900 - Analog Delay The AD-900 Analog Delay was created after careful examination of other analog delay units (including the AD80). While most players voiced a preference for the warm, organic tone of analog, many complained about the short delay time (generally 300 milliseconds) that they were limited to. In addition, distortion and added noise due to hot input signals were becoming a common if undesirable consequence of analog circuitry.
	CS-550 - Stereo Chorus The CS-550 offers an entire range of classic and unique new chorusing effects. Based around the Panasonic MN3207 (low voltage BBD IC, now out of production), the CS-550's Rate and Depth control can conjure every chorus texture from subtle to severe. The custom-tuned oscillator circuit can provide enough speed to authentically imitate rotary speaker cabinets and just the right amount of modulation for a lush vibrato that won't leave you feeling seasick.
	DS-830 - Distortion Master The DS-830 Distortion Master was designed to act as a versatile distortion unit with high sound pressure and powerful low range at any volume level. With the DS-830, even the smallest transistor amplifier can have the presence and authority of a full stack, and it will turn a full stack into a wrecking ball.
	OD-820 - Overdrive Pro The OD-820 was designed to provide a wide range of tube-amp overdrive tones as well as a transparent, hi-gain clean boost. As the name implies, the OD-820 was intended for use by professional guitarists with advanced playing techniques. The OD-820's expressive tone reproduces fingering and picking nuances with haunting precision, making the best use of any guitar or amplifier's character. With a full-frequency response, minimal compression and zero tonal coloration, the OD-820 won't mask a player's performance weaknesses like other overdrives can.
	PH-350 - Rotary Phaser T he PH-350 Rotary Phaser was designed to offer an extremely versatile effect unit that provides consistent, low-noise, transparent operation. The PH-350's features were selected after careful study of other phasing units in order to provide as varied and useful a tone palette as possible. Likewise, certain functions and features were disregarded in order to keep performance intuitive and trouble-free.
Nine Series
	AF-9 - Auto Filter The AF-9 Auto Filter represents the state-of-the art in analog filtering. Like the original Mutron III, the AF-9 uses a CdS Photocoupler (HTV #P873) rather than a VCA at the heart of its circuit. The unique sound of Photocoupler circuitry provides a liquid, shimmering, vowel-like filtering that cannot be produced with other components, giving the AF-9 superior sound quality with lower noise levels than the competition.
	OD-9 - Overdrive The Maxon OD-9 may look just like your old favorite, but that's where the similarities end. With improved circuitry, the OD-9 stands at the forefront of the Nine Series effects evolution.
	SD-9 - Sonic Distortion The SD-9 has gained a huge cult following since its initial release in the early 1980s. The SD-9 has long been prized for its ability to provide an immense range of distorted tones, from punchy overdrive to blistering fuzz, all with full-frequency response and minimal tonal coloration.
	AD-9 - Analog Delay The revised AD-9 improves on one of Maxon's most coveted models in order to create the best sounding, most reliable analog delay ever. Improved construction including through-hole, glass reinforced epoxy PCB's, snap-in PCB connectors, and true bypass switching guarantee trouble free performance. The combination of one Panasonic MN3205 BBD IC and one Signetics NE570 compander provides warm yet crystal-clear delay time with adjustable repeats and zero clock noise.
	CS-9 - Stereo Chorus Pro The CS-9 Pro offers an entire range of classic and unique new chorusing effects. With circuitry based around the Panasonic MN3207 (low voltage BBD IC, now out of production), the CS-9 Pro's Rate and Depth control can conjure every chorus texture from subtle to severe. The custom-tuned oscillator circuit can provide enough speed to authentically imitate rotary speaker cabinets and just the right amount of modulation for a lush vibrato that won't leave you feeling seasick.
	FL-9 - Flanger T he FL-9's wide operation range and full frequency response allow it to work with any input signal to create a diverse assortment of modulation and time-delay effects. Improved construction including through-hole, glass reinforced epoxy PCB's, snap-in PCB connectors, and true bypass switching guarantee trouble free performance while the combination of one Panasonic MN3207 BBD IC and one Signetics NE570 compander provides warm yet crystal-clear flanging with zero clock noise. Rate, Depth and Regeneration controls allow the user to dial in everything from shimmering chorus and vibrato to hollow, metallic overtones to thick, jet-like flanging sweeps.
Reissue Series
	AD80 - Analog Delay The AD80 captures all the classic sounds of the most sought-after vintage analog delay units. Originally released in 1979, the AD80 is arguably one of the first compact analog delay units to reach the market. While many have followed, none have surpassed the AD80 in its functionality, versatility, or sound quality.
	CP101 - Compressor The CP101 Compressor provides clean, smooth compression with ultra-low noise and incredible transparency. The CP101's 4:1 compression ratio is so subtle that it's easy to forget the unit is on until you turn it off, that is. While it is on you will notice note-to-note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and when used with an overdriven amp, sustain that will last for days. Best of all, you'll notice minimal coloration to your guitar signal and less of the note-attack alterations so common to other compressors.
	CS505 - Stereo Chorus The CS505 Stereo Chorus was designed to provide a warm, natural-sounding chorus effect with minimal noise. For these purposes features and components were kept to a minimum in order to maintain pristine audio quality and a natural response.
	D&S - Distortion/Sustainer The D&S can produce a wide variety of distortion voicings, from heavy and thick drive suggestive of a vacuum tube amplifier to extreme vintage fuzz. Most notable about the D&S is that no matter what the setting, it will retain your guitar's original tone and picking response. In addition, the D&S provides excellent note-to-note definition, allowing complex chord voicings to ring clear and quick solo passages to remain fluid and precise.
	D&S II - Distortion/Sustainer The D&S II Distortion & Sustainer II is a precursor to the amp-overdrive simulators of later years. With its mild drive, relaxed sustain and high output, the D&S II sits the fence between an overdrive and a distortion. This unique "split personality" makes the D&S II perfect for players that seek a natural-feeling drive sound but with more drive and output than an OD generally provides.
	FL301 - Flanger The FL301 was one of the first low-voltage, compact flanging effects to appear on the market. Its wide operation range and full frequency response allow the FL301 to work with any instrument or input signal to create a diverse assortment of modulation and time-delay effects, from clear chorus and vibrato to thick and deep flanging.
	GE601 - Graphic Equalizer The GE601 Graphic Equalizer covers six carefully selected frequency bands (100 Hz, 200 Hz, 400 Hz, 800 Hz, 1.6 KHz, and 3.2 KHz) over a five octave range with 12 dB of cut/boost per band. The GE601 also offers a master output Level control with 12 dB of cut/boost. With careful use of these controls, the GE601 can be used to fine tune your sound in a variety of extremely useful ways, a few of which are detailed below.
	OD808 - Overdrive The OD808 was one of the first tube-amp overdrive simulators to hit the market. Its smooth, creamy crunch tone caught on quickly, and helped to launch a long line of predecessors as well as imitators. Today, the OD808 design is without a doubt the most used, most imitated and most lauded overdrive circuit of all time. The reason for this is simple tone. Simply put, the OD808 provides the natural, mild overdrive of a tube amp without sacrificing your guitar's original tone. In addition, it can be used as a clean booster to provide increased gain without compromising the sound of your amplifier.
	PT999 - Phase Tone The PT999 Phase Tone is deceptively simple. Yet packed into this tiny blue box are a host of the most authentic 70's era phasing effects available in a current production unit. Simply by adjusting the unit's Rate control a wide variety of expressive phasing nuances can be coaxed from the PT999, all of them whisper quiet and amazingly transparent. The PT999's minimalist circuit frees your guitar tone to be as smooth and responsive as it is when served up a la carte (or a la effect, as the case may be).